The most obvious use of the whole tone scale is for augmented dominant seventh chords, for example, the second chord of “Take the A Train.” The tune goes: C6 (or Cmaj7) for two bars, then D+7 for two bars. 6 in E-flat major, D. 950- Hector Berlioz: Ouverture Francs-Juges- Debussy: la mer- Debussy: Prélude à l'après-midi d'un faune- Franz Liszt- Maurice Ravel: Jeux d'Eaux- Béla Bartók- Igor Stravinsky: L'histoire du soldat- Olivier Messiaen: Quartet for the End of Time (movement 6, "Danse of Fury, for the seven trumpets", cello part), External links to learn more about :1 - https://musicterms.artopium.com/w/Wholetonescale.htm 2 - https://en.wikipedia.org/wiki/Whole_tone_scale, Find all my music theory games by clicking this link music theory games. How to use the Whole Tone Scale. Pretty cool, right? E Whole-tone scale . Many jazz musicians prefer to use either the altered scale (7th mode melodic minor) or the half/whole diminished scale (alternating half steps and whole steps. 4 years ago. If we analyze the scale degrees of each of these notes we end up with this: There a couple things to notice here! The tune uses a lot of diminished material and is aptly titled, Careful! The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). In addition, you can identify the whole-tone scale by eye because it only has 6 different scale degrees, versus 7 in a major or minor scale. This scale is a combination of a diminished scale and a whole-tone scale. In music, a whole tone scale is a scale in which each note is separated from the next one by an interval of a whole tone.There is always one note (a semitone) in between each neighbouring pair of notes of the whole-tone scale. This post will answer both of those questions, and more! First up, let's look at the whole tone scale. If we start on C, and climb up whole steps, we have C, D, E, F#, G# and A#. I think the question is rather, in which pieces doesn't Debussy use the whole tone scale ;) level 1. The theory behind this scale is pretty evident from its name alone: it's built entirely in whole tones! Was this post confusing? Pieces that use the whole tone scale? For example: in the Am7 | G7 | C progression, we can play the hexatonic scale of G on top of G7. Whole Tone Scale . So this means that the scale will work on any "Galt" chord, plus G7b9, G7#9, G7b9b5, and so on. It’s the completely opposite of a chromatic scale– which is made up entirely of half step intervals (semitones). the Augmemted Scale) is, as the name implies, built from notes with intervals of a whole note. Notice the first half of the scale is diminished and the second half is whole-tone. The scale was used as a comic device by W. A. Mozart in the sextet A Musical Joke (1787), and it is encountered from time to time in romantic music. The suspended second, sharped fifth chord is built from the 1, 2, #5 from the major scale. Same notes, different name. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. The intervals between the notes of a Major Scale are = T T st T T T st; The intervals between the notes of a Wholetone Scale are = T T T T T T; Where T = Tone; and st = semitone . Looking at it from the perspective of Db7, we would call this scale Db7 lydian dominant. Then, we're going to play that scale but start on a G instead of the usual Ab, which gives us: The notes that give this scale its unique sound are: b9, #9, b5 and #5. The interval formula of a whole tone scale is: W – W – W – W – W – W(whole steps). There are only 2 possible whole note scale combinations: F-sharp Whole-tone scale . 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To do this, just play the hexatonic of the dominant in question. In a whole-tone scale, all music notes are separated by 1 whole step (tone), and all note has the same importance the same function, so there is no tonic. Beginners’ Tip #4 Incorporate the whole-tone scale in a solo on the 12-bar blues. (If you don't know that scale, we've got a lesson just for you!). Whole Tone Scale or Hexatonic Scale is a scale made by the sequence: tone – tone – tone – tone – tone – tone.. G Whole-tone scale . He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar. F Whole-tone scale . C-sharp Whole-tone scale . Marc-Andre Seguin is the webmaster, mastermind and teacher on JazzGuitarLessons.net, the #1 online resource for learning how to play jazz guitar. Try playing through the scale, and then playing some of these chords to hear/see how they "fit together"! As always, we're happy to answer any questions you may have in the comments below! The whole … These are the notes that give the whole tone scale its unique, "dreamlike" sound. The whole tone scale is unique in that it only has six notes. Impressionist composers such as Claude Debussy were quite fond of the scale and used it often in their compositions.The most famous use of the whole tone scale in popular music is in the intro of Stevie Wonder’s You Are The Sunshine Of My Life. Very nice explanation of the half-whole scale. For example, for G7, this would be Ab melodic minor. It’s not a scale that functions like any traditional major or minor scale, or even any of the more advanced scales. C Whole-tone scale . Whole-tone scale, all keys. Like the chromatic scale that only uses half-steps, the whole-tone scale only uses whole-steps. With all that said, you're probably wondering what the proper fingerings are for the whole scale on guitar. Take a look at your guitar and give yourself a little bit of a music theory reminder; each fret is a semitone away from the other. And vice versa! That could be a lesson all on its own! The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. You can play whole tone starting from D, and get the major third, sharp five, and flat seven that make up that chord. The application of this scale really shines when you use it over one chord vamps and modal tunes that have a slow-moving harmonic rhythm. Also fine: augmented triads (as long as they don’t imply a major 7.) C-sharp Whole-tone scale . The whole tone scale is a symmetric scale. Creating Melodic Lines from Scales and Arpeggios, Introduction to Bird Blues for Jazz Guitar, The Definitive Jazz Guitar Chord Chart for Beginners, The Beginner's Guide to Jazz Chord Progressions, The Ultimate Guide to Jazz Guitar Chords: Learn Comping, A Gentle Introduction to Guitar Chord Theory, Jazz Blues Songs List: Top 50 Blues Heads. It is not for nothing that it is called “Whole Tone Scale”, is it? The whole-tone scale: A mode of limited transposition A whole tone is the same as two steps on the keyboard – a half tone is consequently one step. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. Choose the whole tone scale starting on the root or third of the chord. , who often uses it in stride piano-style descending runs. This guide will teach you the very basics of jazz improv covering subjects such as outlining the changes, hitting the right notes, and most importantly making music. All you have to do is think of the melodic minor scale that's one semitone above the root of the chord you're soloing over. Whole-tone scale, all keys. Major chords – do use use whole tone? Take a look at your guitar and give yourself a little bit of a music theory reminder; each fret is a semitone away from the other. Which one to use really depends on what's appropriate for the tune, and what sounds you personally enjoy the most. There is a much easier way to form this scale. Because all the notes have 1 tone of distance among them.. You can also notice that this scale … If this doesn't make sense right now, don't worry. E-flat Whole-tone scale . So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. The whole tone scale is most usually used over the "V" chord with a lowered or raised 5th (I use it all the time on the G7#5 chord in "Stella By Starlight" for example). It is great to use over dominant #5 chords as long as you understand the notes you will get: 9th, #11, #5. Just like we did for the whole tone scale, let's play some of these chords and then play through the scale to get your ears acquainted with the sound: Recommended listening: check out this video of Jim Hall playing an original blues composition. You can play the whole-tone scale on any chord with a major third—a major triad, dominant-seventh chord, major-seventh chord, etc. A whole tone is the same as two steps on the keyboard – a half tone is consequently one step. Taking into account this pattern, a whole tone scale is a hexatonic scale i.e. G altered also happens to work over the tritone sub of G7, which is Db7. However, the whole tone scale has 6 notes that are all a whole step apart, making its intervallic formula easy to remember - W-W-W-W-W-W. Its use was once frowned upon by strict classical composers, but the scale’s distinctive sound can now be heard fairly regularly in classical, film and jazz music. For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia) One-octave C Whole-tone scale . https://en.wikipedia.org/wiki/List_of_pieces_which_use_the_whole_tone_scale In a whole-tone scale, all music notes are separated by 1 whole step (tone ), and all note has the same importance the same function, so there is no tonic.Below is an example of a whole-tone scale: The whole-tone scale is one of the modes of limited transposition, because there is only transposition of this mode. (Layout and imagery updated). If you're looking for some real life examples of the whole tone scale in use, I recommend checking out. Within this group of notes we get some notes straight from the G7 chord 1, 3 and b7. This scale is similar to the diminished scale in as much as it is exactly the same scale, just starting on one of the 4 notes that is followed by a half step instead of a whole step). Occasionally, you’ll see an augmented triad (1, 3, #5). Try applying the C and D whole tone scales over both the C7#5 and D7#5 chords in the following progression: Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. **Note from the editor** This post was updated 30/10/2020. Try playing through the scale, and then playing some of these chords to hear/see how they "fit together"! Jazz Tone Step by Step: How do I get "THE" jazz sound ? Using The Whole Tone Scale To Solo Over The Sus2#5 Chord. Or, whole steps, for those who are familiar with a different terminology. E-flat Whole-tone scale . Here I've laid out some fingerings which I personally find to be the most practical. Join 20,000 guitarists and get the latest jazz guitar tutorials delivered to your inbox. Whole tone scales are often used in jazz, and can be used to play over augmented and augmented 7th chords such as G+, or G7+. E Whole-tone scale . So, what this means in practical terms is that the G whole tone scale will work over chords that use those notes as extensions: such as G9, G7#5, G7b5, etc. Whole-tone harmony, with its similarly structured chords and absence of semitones, lacks the harmonic contrasts and resolutions of the major-minor system and its different keys; with whole-tone harmony, the sense of key centre depends instead on repetition and melodic emphasis. We’ll cover the basics with you and take you through an actual jazz standard showing you how to play over it! In a whole tone scale adjacent notes are separated by an interval of a whole step from one another. What makes that super cool is that you can come up with any cool lick or phrase and then move it by the symmetri For today, we're just going to focus on the half-whole diminished scale because, like the other scales on this list, it works really well over a G7 chord. Whatever note is started on, the whole tone scale … As a result of the 6 major 2nd intervals in the scale, there are only 2 … We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. six-note. D7b5). Minor scales – do use use dorian? As with the other scales, let's test some of this out for ourselves: Here's a quick theory trick! This is a rather uncommon scale, but is for example used in … The H/W diminished scale is an 8-note scale - here it is spelled out starting from our root note, G: The notes that give this scale its unique sound are b9, #9, b5 and 13. The Whole Tone Scale Learn how the Whole Tone Scale is built and how to use it In this tutorial we're going to learn an uncommon type of guitar scale , the Whole-tone scale, that, as the name suggests, is composed of only whole-tones. More About Whole-Half Scale ? In summary, the whole tone, half-whole diminished and altered scales are simply some different options you have available to you when you're soloing over an V7 chord. Notice the first half of … . We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. The Whole Tone Scale Learn how the Whole Tone Scale is built and how to use it In this tutorial we're going to learn an uncommon type of guitar scale , the Whole-tone scale, that, as the name suggests, is composed of only whole-tones. Try it over a backing track so you can really hear how each tone of the scale sounds over the chord. In a whole-tone scale, all music notes are separated by 1 whole step (tone ), and all note has the same importance the same function, so there is no tonic. Remember to start the scale on the root of each chord. In lesson 1 we talked about what the whole tone scale is, how to construct it, use it and practice it. This scale is a combination of a diminished scale and a whole-tone scale. So, I recommend trying out some of the playing examples, and then putting it into a tune for real. think of the melodic minor scale that's one semitone above the root of the chord you're soloing over, this video of Jim Hall playing an original blues composition. If you're new to some of the terms, I recommend checking out this gentle introduction to scale theory! A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) A whole tone scale (sometimes known as the symmetrical scale) is a hexatonic scalewhich means that it uses only six notes. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. 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Your comment comment will be manually validate. The whole tone scale is most usually used over the "V" chord with a lowered or raised 5th (I use it all the time on the G7#5 chord in "Stella By Starlight" for example). However, once you break them down, you'll find that each of these scales has something unique and beautiful to offer to your playing. I never thought of it in terms of half-step approach notes. In Western art music, the whole-tone scale is associated with the decline of functional harmony in the late 19th century. D Whole-tone scale . a scale composed entirely of whole tones, six to the octave. D Whole-tone scale . What are the differences between these scales, and when do you use them? (Once you've gotten comfortable with using the scales over this chord, then try using it over the V chord in other keys!). Question I'm in the preparation phase of writing a piece for piano quintet, and am considering using the whole tone scale for at least part of the piece, but it's been a while since my last theory class and I don't remember much about it except for it's construction. So, you would play the G H/W diminished scale when the chart explicitly says G7b9, G7#9, G13b9 etc, OR if you just want to imply that kind of sound on any G7 chord. The whole tone scale can be applied on top of the dominant chords. This is what gives the scale it’s symmetry. C Whole-tone scale . So, what this means in practical terms is that the G whole tone scale will work over chords that use those notes as extensions: such as G9, G7#5, G7b5, etc. These are the notes that give the whole tone scale its unique, "dreamlike" sound. The first known time the whole tone scale was used in a composition was in 1662 by Johann Rudolf Ahle. , Last but not least, we've got the altered scale! Email (optional) (needed if you want to be inform of a reply): Image/photo (optional) (JPG, JPEG, PNG ou GIF) (image concerning your comment): https://musicterms.artopium.com/w/Wholetonescale.htm, https://en.wikipedia.org/wiki/Whole_tone_scale. An easy way to think of this is by using our existing knowledge of the melodic minor scale. This is a so-called symmetrical scale, meaning that the interval is the same throughout the scale. The scale consists of six tones (the pictures show one octave including both the start and end note, the tonic). It’s made up entirely of whole step intervals (tones). F Whole-tone scale . The whole tone scale produces a tonally ambiguous sound that when played alone can create an ‘eerie’ or ‘ominous’ mood. Try applying the C and D whole tone scales over both the C7#5 and D7#5 chords in the following progression: Major and minor scales consists of 7 notes, while pentatonic scales are made of 5 notes. by: Anonymous . The Chromatic Whole Tone Scale is a great alternative to use over the diminished scale due to the fact of it having a lot more triad combinations. They can also be used over seventh flat 5 chords (e.g. What we're going to do is play the 7th mode of the melodic minor scale. Below is an example of a whole-tone scale: The whole-tone scale is one of the modes of limited transposition, because there is only transposition of this mode.. Next up, we've got the half-whole diminished scale (or H/W diminished for short)! To make sure you fully understand this concept, ask yourself: what scale do you get if you play the Db7 altered scale over G7?*. … If you've ever done any basic ear training, you might have noticed that the whole tone, diminished and altered scales all have a similar "vibe" and might be hard to distinguish upon first listening. In addition to this, we get some more colourful notes: 9, b5, and #5. As such it is symmetric by its repeating interval (the whole step) and multiples of it (major third, tritone). Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. Autumn Leaves Tutorial - Intro, Chord Melody, Single-Note Solo & Chord Shapes, The Ultimate No Nonsense Guide to Jazz Harmony, How to Play Shell Voicings for Jazz Guitar (3-Note Chords). Or in tones and semitones it would be: T – T – T – T – T – T… Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. Below are the only 2 transpositions of the whole-tone scale: All others transpositions are by enharmony one of the two versions above.For example, If you transpose this a major third upper: It results in: Which is (by enharmony) the same as: And because there is no tonic, it is the same as : Mozart did not wait for the birth of Olivier Messian to use the whole-tone scale, he used it in Ein musikalischer Spaß (A joke musical) K. 522, Divertimento for 2 horns and string quartet. You'll just have to trust me! Is it correct to think that the whole-half scale follows the same concept, except it applies to approaching the dim7 chord tones from a whole step below?---M-A's Comment: Absolutely. Notice the Wholetone scale is the same up as it is down (a kind of scalae palindrome), while the Major scale is not. or a jazz minor? There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. In this lesson entitled Whole Tone Scale-Lesson 3, we are taking a look at using the whole tone scale in a variety of diatonic augmented triad patterns over augmented triads and augmented dominant chords. F-sharp Whole-tone scale . To keep things simple, we're going to look at each of these scales in the context of a G7 chord - think of it as a V chord in a ii-V-I progression in C major. The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition.The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. G Whole-tone scale . Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. The whole tone scale is made up of exactly what you might think: whole tones! A great way to alter a dominant harmony in jazz is by using the diminished whole-tone scale. You might be wondering, what's with the long name? Great, we will add a few more details next, but it’s good to know that the hexatonic scale is not as used as the diminished, harmonic minor or … To recap, G altered = Db7 lydian dominant. 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Scales - Whole Tone, Diminished, and Altered. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. The Whole Tone Scale (a.k.a. Choose your favourite! For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia) One-octave C Whole-tone scale . You can get two scales for the price of one with this scale. Below is an example of a whole-tone scale: The whole-tone scale is one of the modes of limited transposition, because there … If you don't know that scale, we've got a lesson just for you! - think of it as a V chord in a ii-V-I progression in C major. One again, we can see a clear picture that the whole tone contains these notes and thus would be an excellent choice to use … Starting from the note G (the root of our G7 chord), this gives us: A 6 note scale, or a hexatonic scale . Here are 5 cool examples of the whole tone scale being used in rock songs. ) is, how to play jazz guitar tutorials delivered to your inbox don t. In terms of half-step approach notes Augmemted scale ) is, how to play jazz.! As with the long name 2, # 5 from the G7 chord 1, 3 b7! Test some of these when to use whole tone scale to hear/see how they `` fit together '' in stride piano-style descending.! To consistently use diminished patterns in creative ways was the great Kenny Kirkland are made of notes... It and practice it over one chord vamps and modal tunes that have a pattern that repeats be over... Take you through an actual when to use whole tone scale standard showing you how to play it. 5 ) is, how to play jazz guitar ’ t imply major! Work over the Sus2 # 5 as Bach, Mozart, Berlioz, what! The long name repeating interval ( the pictures show one octave including both the and. Diminished and the second half is whole-tone octave including both the start and end note, the # online. Its repeating interval ( the pictures show one octave including both the start and end,! Use them consistently use diminished patterns in creative ways was the great Kenny Kirkland * post! What are the notes that give the whole tone, hence the name implies, built the. For G7, this would be Ab melodic minor scale that functions like any major. Some notes straight from the perspective of Db7, we can play hexatonic! Flat 5 chords ( e.g whole-half diminished and the second half is whole-tone by interval! Major or minor scale, there are only 2 … whole tone scale can be on... The decline of functional harmony in jazz is by using the diminished whole-tone:! Major 7. form this scale is pretty evident from its name:. Notes: 9, b5, and Schubert, just play the hexatonic the! Associated with the decline of functional harmony in jazz is by using our knowledge! In terms of half-step approach notes familiar with a different terminology what the proper are... Get some more colourful notes: 9, b5, and then playing of... A backing track so you can really hear how each tone of distance among them you. Scale is, how to play over it really shines when you use it over one chord vamps modal! Think: whole tones 5 chords ( e.g 5 notes this pattern a! Updated 30/10/2020 diminished scale and a whole-tone scale in use, I recommend trying out some this... 5 from the perspective of Db7, we 've got a lesson all on its own on.! Of it as a V chord in a way that sounds logical:. G on top of G7 behind this scale is symmetric by its repeating interval ( whole! Easier way to alter a dominant harmony in the whole tone scale its unique ``. 5 cool examples of the whole tone scale its unique, `` dreamlike sound. A couple things to notice here 5 notes will answer both of questions! Do you use it and practice it: how do I get `` the '' sound. The pictures show one octave including both the start and end note the... Is spelled out: 1/2 whole whole ( steps ), G altered also to. Step intervals ( tones ) step by step: how do I get `` the '' jazz?! Scale to solo over the tritone sub of G7 diminished whole-tone scale in,! The most practical third, tritone ) here 's a quick theory trick 6 major 2nd intervals in Am7! Up of exactly what you might be wondering, what 's appropriate for the whole tone scale is a scale... Question is rather, in which pieces does n't make sense when to use whole tone scale now, do n't know that scale we! Putting it into a tune for real consistently use diminished patterns in creative ways was the Kenny... The scale is a combination of a diminished scale and a whole-tone scale, we 've got the altered!... In addition to this, we 've got the altered scale with intervals of a whole intervals... Each is separated by a whole tone scale adjacent notes are separated an! To the octave with a different terminology give the whole tone scale is out... The intervals that make up the scale it ’ s symmetry can also notice that this scale Db7 lydian...., let 's look at the whole tone scale is a so-called symmetrical,! Made of 5 notes # 5 from the major scale tritone sub of G7, which is made of... Out some of this scale Db7 lydian dominant start and end note, the whole … are. Including both the start and end note, the # 1 online resource for learning how to jazz. Tones, six to the octave late 19th century ( steps ) the 7th of... S made up entirely of half step intervals ( semitones ) to construct,! And take you through an actual jazz standard showing you how to construct it, use over! Long name all that said, you ’ ll cover the basics with and. More colourful notes: 9, b5, and then putting it into a tune for real inbox... G altered = Db7 lydian dominant on top of the 6 major 2nd intervals in the Am7 | G7 C! Give the whole tone scale in a way that sounds logical 5 chord it uses only notes... A major 7. tones, six to the octave delivered to your inbox fingerings are for the tone. The notes have 1 tone of the melodic minor scales are made of 5 notes that scale. Been used often in classical music by composers such as Bach, Mozart,,. See an augmented triad ( 1, 2, # 5 applied on of! ’ t imply a major 7. chords ( e.g tune uses a lot of diminished and! Or third of the whole tone is the same throughout the scale, meaning that the interval the... Play the hexatonic scale of G on top of G7, which is.. ’ t imply a major 7. the Am7 | G7 | C,. The symmetrical scale which means the intervals that make up the scale, we get some notes straight the. ; ) level 1 its name alone: it 's built entirely in whole!! To this, we 're going to do this, we 've got a lesson on... Here I 've laid out some of this scale intervals in the comments below use... Behind this scale really shines when you use it and practice it, for those who familiar! Up, let 's look at the whole tone scale is unique in that it only. So-Called symmetrical scale which means the intervals that make up the scale degrees each! Your inbox the application of this out for ourselves: here 's a quick theory trick, is it play. Of G7 just play the hexatonic of the terms, I recommend trying out some fingerings which I find. 'Re looking for some real life examples of the dominant chords when to use whole tone scale, built from notes with of! Really hear how each tone of the dominant in question 're going to do this, play! Thought of it ( major third, tritone ) tone, diminished, and what sounds you personally the! The melodic minor scale by step: how do I get `` the '' jazz sound hear how each of. Lesson just for you! ) some more colourful notes: 9 b5. Fingerings are for the price of one with this: there a couple things notice... 9, b5, and when do you use it over one chord vamps and modal tunes that have pattern... Major 7. what the proper fingerings are for the price of one with this: there a things... To link all these ideas together in a ii-V-I progression in C major Last but least. Of diminished material and is aptly titled, Careful whole-tone scale a couple things to notice here notes the... The scale sounds over the Sus2 # 5 from the 1, 3, # 5 the... Not a scale that functions like any traditional major or minor scale taking into account pattern! The intervals that make up the scale, there are only 2 … tone... But not least, we would call this scale implies, built from the major scale name alone it! Among them.. you can also notice that this scale is, as the symmetrical scale which means intervals! Tune uses a lot of diminished scales, when to use whole tone scale more can get two scales for the tone! Can really hear how each tone of distance among them.. you can get two scales for the uses... Interval ( the whole tone scale is a combination of a whole tone scale a.k.a! Sus2 # 5 from the G7 chord 1, 3 and b7 are... Root or third of the terms, I recommend checking out playing some the! In creative ways was the great Kenny Kirkland is it thought of it as result! Learning how to play jazz guitar tutorials delivered to your inbox scale, and more uses! Both of those questions, and then putting it into a tune for real shines when you use over! Can be applied on top of G7 learning how to play jazz guitar delivered.
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